Sunday, October 28, 2012

Industry Professional Highlight



 Sought after speaker on the future of media (new & social), business marketing and strategy, branding, content creation, analytics, and the utilization of transmedia platforms for major Fortune listed businesses; Gunther Sonnenfeld is a self-described social technologist, serial entrepreneur, advisor, and international speaker.



Gunther situates himself on the leading edge of actually THINKING and implementing ideas that matter to people based on inherent human behavior. In a speaking engagement with the Miami Ad School, he proposes a theory that, as a society, we are still shaking off the thought forms of the industrial age of manufacturing, and coming into a stage of creating efficient processes for the age of creativity, customization and collective intelligence utilization. Using the forward thinking Henry Ford as a prime example of industrial process efficiency, as the creator of the assembly line system, Gunther speaks about how business "used to be" and has evolved from a "think tank" idea room of businessmen into a silo system of divisions that were disconnected, but built for high-volume low-margin production. 

http://vimeo.com/39992007

BUILDING SOCIAL VALUE IS THE FUTURE

You build value by giving people what they want (even when they may not know it yet), this method to build businesses and make money is now being done through the art of storytelling and building relationships with the consumers of the products and services that are being produced. There are so many ways that transmedia storytelling can be done that it is bound to get confusing, even for the potential producer of the content…there are a lot of ducks to keep in a row. 

OR

Sometimes there really aren't that many ducks. In the case of #ALGREN, a core documentary with transmedia storytelling extensions, the picture maps out for visual purposes what this complex storyworld actually includes. But, far simpler examples of transmedia experiences exist, and are also ways in which current brands and franchises can further relate with fans. For instance, Skyfall, the new James Bond film due for release in November obviously has a broad fan-base of fervent followers, what if someone who travels to Europe on a consistent basis for work purposes were also a fan of the franchise? Not really a big stretch to imagine, but what if this fan also signed up on the website and downloaded a 007 app with locational features that trigger certain storyline extensions when the person spent time in areas near where in-story events have happened in Skyfall were activated? Potential games, story features, information, etc. could then be distributed to that person instantly, and would make sense on a fully customized basis. There are many ways to do something such as this even though we don't all travel to Europe for business. Therein lies a perfect opportunity for engagement of an already loyal base of fans, while also having the opportunity to attract people who may not be familiar with Bond (*Note: is there such a person??). 
  


The point is, we live in times of vast amounts of change; but human behavior and the things that excite us remain fundamentally the same. If a potential content creator has an ability to tell a story that people are interested in, OR has the ability to attract a group of people who have various skills and talents to create an interesting story, as well as encourage them to come together as a group to accomplish a goal or project…there are untold possibilities to explore and horizons to cross. 

The fun for me is getting together with like-minded people, brainstorming a potential project, bouncing ideas back and forth, seeing what the original idea morphs into, and then taking the steps to bring the idea into reality. This is what the cr8f_conclave stands for, and is what our first foray into transmedia storytelling intends to show.  

Thursday, October 4, 2012

iXmedia-- Associations


As if the sub-industry of Transmedia Entertainment wasn't tricky enough already, what's an aspiring transmedia professional to do when looking for professional associations to join when definition alone can't really be agreed upon by established organizations within entertainment. There's barely a  

The Producers Guild of America (PGA) defines transmedia narratives as: 

"a project or franchise consisting of three (or more) narrative storylines existing within the same fictional universe on any of the following platforms: Film, Television, Short Film, Broadband, Publishing, Comics, Animation, Mobile, Special Venues, DVD/Blu-Ray/CD_ROM, Narrative Commercial and Marketing rollouts, and other technologies that may or may not currently exist. It is NOT these extensions being repurposed material from one platform to be cut or repurposed to a different platform."  

cameron_grey_the neverending dreamer
Leaders of transmedia, such as Dr. Dena Christie, tend to have a bit of a struggle with this strict definition, mainly due to the three-count platform limitation. She rightfully says, that there have been and assuredly will continue to be projects that are created that certainly feel like a transmedia experience, but won't be classified as such due to this three platform requirement.

Why is this the case? 

Organizations positively NEED to be able to define the genre somehow in order for the producers of the content to qualify for recognition in the field or even in order to be able to receive grant money from an organization like the "The Tribeca Film Festival". Andrea Phillips, author of "A Creator's Guide to Transmedia Storytelling", says that the while the "definition has proven to be a moving target, making everything just a little more complicated…" in the present, it could "be decades before the dust actually settles." Ms. Phillips addresses the importance of flexibility in the definition, but also underscores the importance of having definitions simply due to the ramifications they can have to a producers career when they are finally able to put "PGA Transmedia Producer" on their résumé.

Even with the difficulties, we are on the cusp of a large shift in awareness towards interactive storytelling and interactive narratives know widely as "transmedia". The Tribeca Film Institute InteractiveSXSWiTEDx, and transmedia Meetup groups, there have never been more ways to get noticed and get funded for your transmedia vision. Active groups on Facebook such as "ARGNet""Universe Creation 101" and "Storycode" enable interaction with other likeminded individuals, as well as allowing you to keep your fingers on the pulse of the industry.

In order to be able to qualify for membership in the PGA, there are a few things you need to have under your belt. Namely, a sponsor…someone who has firsthand experience with you and the content that you produce and a minimum of two broad domestic project releases. 

cameron_grey_hope for the sound awakening
The best thing to do is to CREATE CONTENT..point blank. Start making things, and market yourself unabashedly until finally somebody listens. Join active social media based communities filled with individuals who you can brainstorm, shoot ideas off of, and collaborate on projects with…then make something. Then keep making things until you're able to get some traction in the industry. 


While it may be that transmedia is emerging and nebulous right now, it's also a blessing. You really can't mess up, you can only gain from the experience and eventually, maybe you get that idea that turns out to be sticky and gathers a following. Andrea Phillips started out the exact same way, and after some very lean years freelance producing content she is now VERY established as an expert in the field, it took time and the willingness to fail, but her trials are beginning to pay off.